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BEGIN:VEVENT
DTSTAMP:20260417T190102Z
LOCATION:West Building\, Rooms 109-110
DTSTART;TZID=America/Los_Angeles:20250811T140000
DTEND;TZID=America/Los_Angeles:20250811T153000
UID:siggraph_SIGGRAPH 2025_sess107@linklings.com
SUMMARY:Craft and Creativity
DESCRIPTION:Floating Strokes: A Spatial Interpretation and Modeling Method
  of Chinese Calligraphy\n\nTransforming 2D Chinese calligraphy into 3D for
 ms deepens how traditional art is understood and experienced, combining cu
 ltural heritage with modern technology. This approach adds spatial depth, 
 opening new possibilities for digital art, preservation, and interactive d
 esign.\n\nBy merging computationa...\n\n\nTroy TianYu LIN (Hong Kong Unive
 rsity of Science and Technology, Guangzhou); Boyan Zheng (Independent Rese
 archer); and Haichuan Lin, Wen You, Kang Zhang, and Chen Liang (Hong Kong 
 University of Science and Technology, Guangzhou)\n---------------------\nC
 raft and Creativity - Q&A\n\nAfter all of the presentations, attendees are
  invited to participate in a Q&A.\n\n---------------------\nwave2weave: A 
 Procedural Weave Data Generation\n\nThis paper presents a procedural data 
 generation method for Jacquard weaving that uses matrix computations to cr
 eate textiles with complex shaded patterns and a triple-layer structure. E
 mploying this method, the authors creatively applied noise functions to we
 ave design and produced a textile artwor...\n\n\nTatsuki Hayama (Keio Univ
 ersity) and Kotaro Uchibe (Hosoo Co.,Ltd)\n---------------------\nBecoming
  Space: Exploring Agential Materiality Through AI-Generated Metamorphosis 
 in Artistic Practice\n\n"Becoming Space" is an installation that explores 
 the agency of AI, discourse, and material intersections through AI-generat
 ed forms and 3D printing. Inspired by Ovid's Metamorphoses, it explores hu
 man-animal transformations using CLIP-guided diffusion models and stereoli
 thography. The installation ...\n\n\nXinyu Ma and Hengyu Meng (The Hong Ko
 ng University of Science and Technology (Guangzhou)); Ziwei Wu (The Hong K
 ong University of Science and Technology); and Zeyu Wang and Clea von Cham
 ier-Waite (The Hong Kong University of Science and Technology (Guangzhou),
  The Hong Kong University of Science and Technology)\n--------------------
 -\nDigital Crazing: Applying Quadtree Structures to Simulate Time and Huma
 n Intervention\n\nThis work offers an innovative approach to digitally rep
 licating crazing patterns, which are aesthetic crazing found on ceramics. 
 By using a quadtree structure, the method captures the time dependent and 
 user-interaction aspects of these patterns, providing a novel perspective 
 in digital material de...\n\n\nSzu-Han Lu and Hsiao-Ching Chou (National Y
 ang Ming Chiao Tung University, Institute of Applied Arts)\n\nInterest Are
 a: Arts & Design, Gaming & Interactive, New Technologies, Production & Ani
 mation, Research & Education\n\nRecording: Livestreamed, Not Livestreamed,
  Recorded, Not Recorded\n\nKeyword: Art, Computer Vision, Dynamics, Educat
 ion, Fabrication, Generative AI, Geometry, Image Processing, Modeling, Sim
 ulation, Spatial Computing\n\nRegistration Category: Full Conference, Virt
 ual Access, Experience, Monday\n\nSession Chair: Mohumagadi Moruti (Danube
  University Krems)
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